From
"Hibernian Chronicle" a weekly
history
column in the Irish Echo by
Edward
T. O'Donnell
115 Years Ago:
Mighty Casey Strikes Out
Edward T. O'Donnell * The Irish Echo * May 28, 2003
One-hundred-fifteen years ago this week, on June 3, 1888, there
appeared in the San Francisco Examiner a humorous poem about a fictional
slugger named Casey who, despite the hopes of the Mudville faithful, strikes
out to end a big game. The author of “Casey at the Bat: A Ballad
of the Republic, sung in the year 1888” gave only his pen name, “Phin,”
and received a mere $5 for his effort. Little did he or any of his
readers know just how famous the poem was to become – so much so that a
statue of the Casey stands at the Baseball Hall of Fame in Cooperstown,
NY.
“Casey at the Bat” was written by Ernest L. Thayer, a Harvard
graduate of solid WASP pedigree. He’d graduated from Harvard in 1885
and headed west to San Francisco at the urging of his fellow classmate,
a young man named William Randolph Hearst (of Irish descent incidentally).
The latter was about to take over a newspaper his father had come to own
as payment for a gambling debt and needed writers. Thayer jumped
at the chance to delay his inevitable return to his father’s textile mills
in Worcester, MA and soon found himself writing humor and satire pieces
for Hearst’s paper. Three years later, with only weeks to go before
he joined the family business back east, Thayer penned the poem that became
an American classic.
The poem was a hit in San Francisco and soon found its way into
papers all across the country. But what really set it on its way
to becoming one of the most well-known poems in American history its discovery
by the manager of DeWoIf Hopper, a brilliant young actor who was then starring
in “Prince Methusalem” at New York's Walleck Theater. Knowing Hopper
was scheduled to speak at an upcoming dinner honoring the New York Giants,
his manager suggested he recite the poem. Hopper loved the poem and
committed the 52 lines to memory. It proved such a hit at the Giants
dinner, he soon began reciting it on stage, adding gestures and inflections
that thrilled his listeners. “Casey” became Hopper’s signature act
and he would recite it an incredible 10,000 times before his death.
Because Thayer used the pen name “Phin,” many imposters arose
in the years to come claiming authorship – and royalties, of course.
Some of the claims even went to court, prompting Thayer to admit his authorship.
And, being wealthy and somewhat tired of the whole Casey business, eventually
signed over the rights to Hopper. Many towns also laid claim to being
the “real” Mudville, including Stockton, California which was once called
Mudville and in 1888 sported a professional ball club.
Not surprisingly, several players including Boston shortstop Tim
Casey and Philadelphia pitcher Daniel Michael Casey, claimed they were
Thayer’s inspiration (the latter Casey even hit the vaudeville circuit
as the “real” Casey). Many others, not necessarily named Casey also
claimed the honor, including famed slugger Mike “King” Kelly.
Finally in 1935, almost a half century after the poem’s publication,
Thayer revealed that his inspiration for the fictional Casey had come from
a high school classmate, a “big Irishman” named Daniel H. Casey who once
threatened to beat him up for making fun of him in the pages of the school
newspaper of which he was editor.
Apart from this reference, wrote Thayer, "the poem has absolutely no
basis in fact. The verses owe their existence to my enthusiasm for college
baseball.” As for the subsequent fame of the poem, he remained at
a loss to explain it. “Its persistent vogue is simply unaccountable
and it would be hard to say if it has given me more pleasure than annoyance."
Thayer’s decision to make his hero an Irishman may also have been
influenced by the simple fact that many of the most famous players in the
early days of professional baseball were Irishmen. The aforementioned
Mike “King” Kelly, for example, helped the Chicago Nationals win five championships
in the 1880s. He led the league in batting in 1884 and 1886 and was
a legendary base stealer, giving rise to the expression, “slide, Kelly,
slide.” "Big" Ed Delahanty (one of five brothers who made the big leagues)
posted a whopping career batting average of .346 and even hit four home
runs in a single game. Roger Connor was the home run king of the
so-called “deadball era,” with 192 round trippers over his career to go
with twelve seasons with a batting average over .300. Joe Kelley
was a standout left fielder for Baltimore in the 1890s, hitting over .300
in twelve consecutive seasons, including .391 in 1894. Pitcher Tim
Keefe won 342 games in fourteen seasons, twice winning more than 40 games
in a single season. Bud Galvin became baseball’s first 300-game winner
and pitched more innings (5,959) and complete games (641) than anyone but
Cy Young.
Ernest L. Thayer died in 1940, followed by Dewolf Hopper five
years later. “Casey at the Bat,” however, just kept going.
Actors such as Chuck Connors, Vincent Price, and Jackie Gleason recited
it, Disney transformed it into a cartoon, the Post Office issued a “Mighty
Casey” stamp (1996), Saturday Night Live parodied it, and magicians Penn
and Teller used it in one of their acts – to name just a few of its latter-day
incarnations. Today, a quick search at Amazon.com shows no less than
18 versions of the poem in print.
One reading (aloud, of course) leaves no doubt why.
(c) Edward T. O'Donnell, 2003
Casey at the Bat
By Ernest L. Thayer
San Francisco Examiner - June 3, 1888
The outlook wasn't brilliant for the Mudville
nine that day;
The score stood four to two, with but one
inning more to play,
And then when Cooney died at first, and Barrows
did the same,
A pall-like silence fell upon the patrons
of the game.
A straggling few got up to go in deep despair.
The rest
Clung to that hope which springs eternal in
the human breast;
They thought, "If only Casey could but get
a whack at that -
We'd put up even money now, with Casey at
the bat."
But Flynn preceded Casey, as did also Jimmy
Blake,
And the former was a hoodoo, while the latter
was a cake;
So upon that stricken multitude grim melancholy
sat;
For there seemed but little chance of Casey
getting to the bat.
But Flynn let drive a single, to the wonderment
of all,
And Blake, the much despised, tore the cover
off the ball;
And when the dust had lifted, and men saw
what had occurred,
There was Jimmy safe at second and Flynn a-hugging
third.
Then from five thousand throats and more there
rose a lusty yell;
It rumbled through the valley, it rattled
in the dell;
It pounded on the mountain and recoiled upon
the flat,
For Casey, mighty Casey, was advancing to
the bat.
There was ease in Casey's manner as he stepped
into his place;
There was pride in Casey's bearing and a smile
lit Casey's face.
And when, responding to the cheers, he lightly
doffed his hat,
No stranger in the crowd could doubt 'twas
Casey at the bat.
Ten thousand eyes were on him as he rubbed
his hands with dirt.
Five thousand tongues applauded when he wiped
them on his shirt.
Then while the writhing pitcher ground the
ball into his hip,
Defiance flashed in Casey's eye, a sneer curled
Casey's lip.
And now the leather-covered sphere came hurtling
through the air,
And Casey stood a-watching it in haughty grandeur
there.
Close by the sturdy batsman the ball unheeded
sped -
"That ain't my style," said Casey. "Strike one!"
the umpire said.
From the benches, black with people, there
went up a muffled roar,
Like the beating of the storm-waves on a stern
and distant shore;
"Kill him! Kill the umpire!" shouted some one on
the stand;
And it's likely they'd have killed him had
not Casey raised his hand.
With a smile of Christian charity great Casey's
visage shone;
He stilled the rising tumult; he bade the
game go on;
He signaled to the pitcher, and once more
the dun sphere flew;
But Casey still ignored it, and the umpire
said "Strike two!"
"Fraud!" cried the maddened thousands, and echo
answered "Fraud!"
But one scornful look from Casey and
the audience was awed.
They saw his face grow stern and cold,
they saw his muscles strain,
And they knew that Casey wouldn't let
that ball go by again.
The sneer has fled from Casey's lip,
the teeth are clenched in hate;
He pounds with cruel violence his bat
upon the plate.
And now the pitcher holds the ball, and now
he lets it go,
And now the air is shattered by the force
of Casey's blow.
Oh, somewhere in this favored land the sun
is shining bright,
The band is playing somewhere, and somewhere
hearts are light,
And somewhere men are laughing, and little
children shout;
But there is no joy in Mudville - mighty Casey
has struck out.
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